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James Joslin (b.1987) is an oil painter and artist based in the UK who focuses on portrait painting and figurative art in oil. His work has been exhibited at the Fermata Festival in association with Kensington + Chelsea Art Week, the Phillips Collection, and the Singapore, Brisbane, and Tasmanian International Festivals of Art.
He originally studied music under Simon Emmerson at De Montfort University where he was a member and contributor of John Richards’ Dirty Electronics Ensemble, performing concerts in the UK with several notable collaborators including Chris Carter (Throbbing Gristle), Keith Rowe (AMM), Nic Bullen (Napalm Death) and Anna Meredith. Frequently working with performers such as Margaret Leng Tan, a leading exponent of John Cage’s music, James’ compositions have been performed internationally, with notable appearances at Klavier Festival Ruhr, Gaudeamus Muziekweek and XXXV Foro Internacional de Música Nueva. He received funding from the Daphne Oram Trust to attend Dominic Murcott's Installation Art course at Dartington International Summer School in 2012 and in the same year was commended by the Toby Moores Creative Thinking Awards for his innovative approach to sculpture in his sound installation Clockwork Études 1-8. James is the founder of Round Revue, a music publishing house making available rare works including new English translations of Erik Satie’s The Ruse of Medusa, Alfred Jarry’s Ubu Roi (with music by Claude Terrasse) and Elena Guro’s Autumn Dream (music by Mikhail Matyushin). |
Group Exhibitions & Events
JUNE 2021 Fermata, Kensington + Chelsea Art Week, London
NOVEMBER 2019 Миниатюра встречается с монументальностью, Re:formers Festival, Moscow
SEPTEMBER 2019 Honens Festival, Calgary
AUGUST 2019 Miniature meets Monumental, Melbourne
OCTOBER 2018 The Phillips Collection, Washington DC
SEPTEMBER 2017 Uncaged, Museum Speelklok, Gaudeamus Muziekweek, Utrecht
SEPTEMBER 2015 Brisbane International Arts Festival
AUGUST 2015 Singapore International Festival of Arts
MARCH 2015 Brunswick Festival, Melbourne
MARCH 2015 Tasmanian International Arts Festival, Hobart
MARCH 2015 WOMAD, Adelaide
AUGUST 2014 Singapore International Festival of Arts
MAY 2014 Kunstforum der GEDOK, Blurred Edges Festival, Hamburg
OCTOBER 2013 Clocked Out Festival, Brisbane
JUNE 2013 XXXV Foro Internacional de Música Nueva, Palacio de Bellas Artes, Mexico City
MAY 2013 Kunstforum der GEDOK, Blurred Edges Festival, Hamburg
MARCH 2013 Chatelet Theatre, Paris
OCTOBER 2012 The John & Mable Ringling Museum of Art, Sarasota
SEPTEMBER 2012 Gogolfest, Kyiv
MAY 2012 A John Cage Centenary Tribute, Klavier Festival Ruhr, Essen
MARCH 2012 Conceptualizing Now, European Capital of Culture, Guimaraes
MARCH 2012 Tastenspiele Festival, Berlin
NOVEMBER 2019 Миниатюра встречается с монументальностью, Re:formers Festival, Moscow
SEPTEMBER 2019 Honens Festival, Calgary
AUGUST 2019 Miniature meets Monumental, Melbourne
OCTOBER 2018 The Phillips Collection, Washington DC
SEPTEMBER 2017 Uncaged, Museum Speelklok, Gaudeamus Muziekweek, Utrecht
SEPTEMBER 2015 Brisbane International Arts Festival
AUGUST 2015 Singapore International Festival of Arts
MARCH 2015 Brunswick Festival, Melbourne
MARCH 2015 Tasmanian International Arts Festival, Hobart
MARCH 2015 WOMAD, Adelaide
AUGUST 2014 Singapore International Festival of Arts
MAY 2014 Kunstforum der GEDOK, Blurred Edges Festival, Hamburg
OCTOBER 2013 Clocked Out Festival, Brisbane
JUNE 2013 XXXV Foro Internacional de Música Nueva, Palacio de Bellas Artes, Mexico City
MAY 2013 Kunstforum der GEDOK, Blurred Edges Festival, Hamburg
MARCH 2013 Chatelet Theatre, Paris
OCTOBER 2012 The John & Mable Ringling Museum of Art, Sarasota
SEPTEMBER 2012 Gogolfest, Kyiv
MAY 2012 A John Cage Centenary Tribute, Klavier Festival Ruhr, Essen
MARCH 2012 Conceptualizing Now, European Capital of Culture, Guimaraes
MARCH 2012 Tastenspiele Festival, Berlin
Awards
2012 G Fowler Prize
2012 Toby Moores Creative Thinking Awards
2012 Toby Moores Creative Thinking Awards
Bibliography
Collins, Nicholas, "DJs", Handmade Electronic Music: The Art of Hardware Hacking, 3rd Edition, June 2020
McPherson, Angus, “Extended Play”, Limelight Magazine, 4 September 2019
Brookes, Stephen, “Avant-garde pianist makes music beyond the keys”, Washington Post, 8 May 2017
Beng, Mervin, “Cabinet of Curiosities”, The Straits Times, 20 January 2016
Davison, Angus, “Colour and Connotation”, Cut Common Magazine (online), 11 March 2015
Brookes, Stephen, “Toying around with preconceived notions”, Vancouver Sun, 6 October 2014
McPherson, Angus, “Extended Play”, Limelight Magazine, 4 September 2019
Brookes, Stephen, “Avant-garde pianist makes music beyond the keys”, Washington Post, 8 May 2017
Beng, Mervin, “Cabinet of Curiosities”, The Straits Times, 20 January 2016
Davison, Angus, “Colour and Connotation”, Cut Common Magazine (online), 11 March 2015
Brookes, Stephen, “Toying around with preconceived notions”, Vancouver Sun, 6 October 2014
| CV pdf |